Nothing Petit About the Palais


The Petit Palais on Opening Night

Nothing Petit About the Palais

Parler Paris…
Your taste of life in Paris and France
/parlerparis/

Monday, December 12, 2005
Paris, France

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Dear Parler Paris Reader,

A few days ago with friends, we joked about how everything in France is “petit” — you have a “petit verre” with a friend, you sign your check with a “petit signature,” you introduce to your parents your “petit ami,” you check a word in a tome called the “Petit Larousse” and now after several years of being closed to the public for a “petit renovation,” you can visit the “Petit Palais.”

This is classic French understatement. The only thing “petit” about the Petit Palais, is that it isn’t quite as “grand” as the “Grand Palais” across the street, but it’s every bit as beautiful. The doors opened officially Thursday night to an adoring crowd by invitation only, and is now open to the public.

Built originally for the Universal Exhibition of 1900, the Petit Palais became home to the Palais des Beaux-Arts de la Ville de Paris (Palace of Fine Arts of the City of Paris) in 1901 and by the early 30′s, the Petit Palais museum was running out of space to house its collection. A 1937 exhibition was a huge success with 44 nations represented and more than 30 million visitors, but nevertheless, the Palais suffered severe financial losses. A year later it closed and remained vacant until 1940 when in 1941, one wing was made available to the association “L’Entreaide des artistes” to hold diverse artistic salons. War time changed the tide again and from late 1942 to the summer of 1943, the Germans requisitioned the basement as repositories for sequestered Jewish property.

The Petit Palais became inadequate to display modern art and substantial improvements were undertaken. After six years of rebuilding, the Musée d’Art moderne de la Ville de Paris was inaugurated there on July 6, 1961. It contained the Petit Palais’ collections of modern art together with the works acquired by the Beaux-Arts purchasing committee and collection of Dr. Maurice Girardin’s. The museum continued to host a great many exhibitions and with the creation of the contemporary department, the Council of Paris launched another rebuilding program. In 1972 the work was completed, but the use of space soon revealed limitations.

Twenty years later, funds were again made available to rehabilitate the building and between 1991 and 1994, a number of the original works were regained and displayed as they should. The museum surfaces now from the last four years of restoration with an additional 65% of exhibition space for its permanent collection of paintings, sculptures and objects dating from antiquity to the early 20th-century.

The queue lengthened in the cold night air awaiting the official opening of the enormous gilded doors at the top of the monumental staircase. We filed into the central reception are, but were immediately struck by the overwhelming sense of space and grandeur of the main hall. I was then drawn immediately to the cool green lights and luscious palms of the interior courtyard that caught my eye, accessible by large doors leading to the semicircular peristyle, even before venturing to visit the collection. In daylight hours, I could imagine it to be an oasis for a reflective repose.

The vast halls house an impressive permanent collection of works along with temporary exhibitions including large photos of the building itself under reconstruction. Gustave Courbet, Claude Monet and Rembrandt are among the artists represented there. At one end of the main hall is a traditional book and gift shop. At the back of the garden is a café and on the lower level, an auditorium.

For a detailed account of the building and the museum’s history, visit http://www.v2asp.paris.fr

“Th

e museum of modern and contemporary art as it appears today reflects the gradual and complete restoration of its original architectural quality, which has been undertaken in an attempt to grant it a privileged role — both in the context of Paris and Europe and in the world of contemporary creation — and provide it with a recognized and specific identity.”

The new identity of the Petit Palais is anything but “petit.” I’d venture to say the undertaking was on a very grand scale and the verdict from the “petit jury” is out…this “Petit Palais” makes an awfully big impression.

A la prochaine…

Adrian Leeds
Editor, Parler Paris
Email info@adrianleeds.com

P.S. See you tomorrow at Parler Paris Après Midi! See /parlerparis/apresmidi.html for more details.

P.P.S. I voted to vote. Did you? If not, don’t miss this opportunity to have a voice. For a complete list of voting polls, visit: http://www.paris.fr/






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French Property Insider
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Furnishing Your New French Home
By Adrian Leeds

‘Tis the season to shop for gifts, but what better time to furnish your new pied-à-terre or country home than now, when the city (and the country) is awash with “brocantes” (rummage sales), “vide greniers” (attic sales) and “marchés aux puces” (flea markets)…Subscribers Read On…

Learn how to buy property in France. French Property Insider is an e- mail newsletter from the editors of Parler Paris. If you’d like to learn about the insights, recommendations, and discoveries about buying and investing in real estate in Paris and France that French Property Insider readers get every week, now’s a special opportunity.

Subscribe today!

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Insider Paris Guides
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* Excerpt from the Writers Insider Guide to Paris…

The Community

…it remains comforting to know that a Paris forum is waiting for your work, that a community of listeners and equal interest friends are relatively easy to locate once you have arrived. Furthermore, the community here has always had its distinguishing qualities which separate it from those similar gatherings in other big-city locations. Many Paris-based writers often remark, however generally, on the accepting nature of the community, the lack of commercial-based competition replaced by support, open-minded experimentalism, and an undiluted commitment to the art itself – qualities which have been characteristic to the Paris expatriate community since the start of the twentieth-century and are less evident in larger communities, such as New York, where the sheer number and lack of a tangible commonality (i.e. foreignness) tends to create a less homogenous and accessible group. The relative accessibility and smallness of the community, qualities which one can assume have not really changed throughout each generation, are truly warm welcomes….

Novelists, journalists, poets, dreamers and doers…discover the writing life in Paris. It is possible, click here to find out how…. http://www.insiderparisguides.com/writers/index.html

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Further Resources
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* Getting a mortgage in France is easier than you think…let us show you how.
/frenchproperty/insider/mortgage.html

* Subscribe to the Parismarais monthly newsletter free…The Art of Living Guide to Le Marais. Hurry — the next issue is December 15! http://www.parismarais.com/parismarais-newsletter.htm

* Creative Writing Workshop, March 26 to April 1, 2006, Vitorchiano, Italy. This one week intensive writing workshop, being held in a charming medieval village, includes daily writing exercises, critiques, craft talks and readings and more. Space is limited — maximum 12 participants. Register today and save $200! For more information contact Cecilia Woloch at CECIWO@aol.com

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For more information and to book your stay, visit: http://www.geocities.com/bdvoltaire117

* Please tell Ms. Smith you read about the apartment in Parler Paris!

===APARTMENT RENTAL===

For all short term rental apartments in Paris, take a look at
/parlerparis/apartments or
/frenchproperty/insider/longterm.html for long term
apartments.

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Come for a drink and to meet and chat with other readers in Paris:
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The next gathering is December 13, 2005
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